“It’s sealed” – an expression dissected

Literal meaning: physically sealed / closed off

In its literal sense, “It’s sealed” refers to an object (for instance, a package or an envelope) that was deliberately closed (“sealed”) in such a way that it cannot be closed again after opening it. Consider, for example, confidential mail or a purchase that cannot be returned once the packaging has been opened. Older generations may still be familiar with the so-called “wax seal”, which was used to close (“seal”) letters until around the 19th century. In this process, hard sealing wax was melted using a candle, after which the molten wax was dripped onto the closure of a letter. A signet ring or stamp bearing a personal symbol or family coat of arms was then pressed into the wax. The wax hardened, forming a solid seal. To open the letter, the seal had to be broken.

Figurative meaning: settled / made final

Romantic meaning: sealed with a kiss

In the case of the romantic expression “It’s sealed with a kiss”, an agreement, promise, or affectionate gesture is sealed or confirmed with a kiss. 

The potential meanings of the expression “It’s sealed” outlined above are widely known, in contrast to its alleged Satanic origin, which has been linked, among other things, to the so-called “Seal of Solomon.”

The Seal of Solomon

The Seal of Solomon refers to the signet ring of King Solomon mentioned in the Bible   (and later in the Qur’an ), the (according to book printers ) third King of Israel, who ruled the kingdom around the 10th century BC. According to mainstream sources, the ring symbolizes wisdom, power and protection, as it allegedly enabled the king, among other things, to manipulate and control demons (spoiler: “clones of the dead”).

Although the Seal of Solomon does not officially appear in the Bible, the story of the powerful ring became highly prevalent in Jewish circles from the first century BC onward, after which it spread to the Islamic world between the 7th and 10th centuries AD, and, from the Middle Ages onward, into Christian esoteric and magical literature. While the shape of the seal remained unspecified for a long time, from the Middle Ages onward it came to take on the geometric form of a hexagram—a six-pointed star, usually composed of two overlapping equilateral triangles. From that point onward, the Seal of Solomon was generally no longer directly associated with the powerful ring, but solely with the hexagram. In some accounts, the Seal of Solomon is depicted as a pentagram (five-pointed star).

The introduction to the Seal of Solomon above reveals little to nothing about its underlying Satanic significance. However, this changes when the story of the powerful seal is interpreted from an alternative perspective and in light of new insights.

To uncover the true meaning of the seal, it is first necessary to understand the context in which the Bible—the book in which King Solomon plays a role—actually came into being. In short, that context has been shaped by the Khazar Mafia (a collective term for Zionist, Satanic Arabs and Turco-Mongols), which, through inbreeding, became infertile (and often hermaphroditic) and sought to secure its survival and power with the help of cloning techniques. To this end, real girls were raped, murdered and robbed from their creative power on a massive scale throughout the centuries, while humanity was eliminated gradually. By means of an immense army of hermaphroditic, infertile clone slaves, who, after completion of their mission, were exterminated as well by there Khazarian slave drivers. Time and time again. 

Within the outlined framework it becomes clear that the Bible, as well as other famous religious writings, is nothing more than the product (https://t.me/gweverstegen/87777) of a power-hungry cult that was on the verge of extinction due to infertility and used religion (mind control) and its associated symbolism as a way of legitimizing its own survival mechanism (i.e. parasitic behavior) – in the meanwhile mentally preparing the people for it as though their fate was already sealed, leaving no further need—or possibility—for resistance. As if war, misfortune and tyranny are inevitable on earth.  After all, “the Bible had already foretold it”.

An example of a biblical prophecy of doom can be found in the Book of Revelation (the final book of the New Testament) – the book that, not coincidentally, runs parallel to the end times in which we currently find ourselves.  In the book, John receives apocalyptic visions from God through Jesus, concerning an end time in which an evil power (The Beast / The Dragon / Satan / 666) appears on earth that turns agains God and subjects the world to tyranny. This is followed by a decisive battle between good and evil (Armageddon), which ultimately culminates in a final judgment by God, the restoration of creation, and the New Jerusalem, where nothing but peace reigns.

An analysis of the Book of Revelation of John illustrates more than anything that the Bible not only acknowledges Satan, but is also rooted in Satanism. “Revelation” symbolizes, as implied above, the present age in which the Khazar mafia and its cloned slaves are revealing their true Satanic nature by initiating the greatest genocide in human history. A genocide that they consider inevitable, as their survival as clones is inextricably linked to the theft of life energy from real human beings. In particular to the the theft of creative power from real women, as well as to the elimination of the majority of the world’s population.

And so, ever since 2019, we’ve been witnessing a final battle between good and evil on the world stage. A battle in which the Khazarian Mafia (the evil) will eventually also slaughter its own satanic clone slaves through a Sacrifice to Satan, so that they will be freed from their (again: inevitable) sins and may be forever recloned in the New Jerusalem. That is the true Satanist plan behind religion, whereby Satanism can broadly be understood as a malevolent survival mechanism of power-hungry clones, who regard sowing corruption (including the theft of creative power) as inherent to their continued existence. It is not without reason that Satanists are masters of inverting traditional values, presenting what is “evil” as “good” and vice versa. This as a justification for the immense suffering for which they have been responsible for centuries.

Then the Seal of Solomon and the associated hexagram. When the geometric form of the Seal is analyzed from a Satanist perspective, it becomes readily apparent what deeper meaning can be attributed to its form. As mentioned, the hexagram consists of two overlapping triangles that together create a six-pointed star; one triangle points upward, while the other points downward. If we incorporate a mystical Jewish tradition such as Kabbalah into the interpretation, we learn that an upward-pointing triangle symbolizes masculine energy (fire, active energy, heaven), while a downward-pointing triangle represents feminine energy (water, receptive energy, earth). A hexagram consisting of overlapping, mirror-image triangles would therefore reflect a fusion of the masculine and feminine. A hexagram consisting of overlapping, mirror-image triangles would therefore reflect a fusion of the masculine and feminine. This inevitably touches upon the earlier mentioned, through inbreeding infertile Arabs and Turco-Mongols, who – due to damaged DNA (hermaphroditism) – elevated the fusion of the two sexes into an ideal, partly through religious writings. A prime example of “inverted logic.” Satanism at its finest. (It should be noted that the fusion of the sexes among the clone elite has by now progressed to such an extent that “down there” there is only a single opening, with no distinction between the genitalia and no separate anus. The so-called “One Holes Clones”, who anatomically distinguish themselves from and deem themselves superior to their hermaphroditic clones claves – the latter do have a separate anus and recognizable genitalia.)

The framework outlined above automatically makes it clear that the “wisdom” symbolized by Solomon’s signet ring also refers to the (Satanist) “wisdom” through which real women and girls have, for centuries, been deprived of their creative power, so that hermaphroditic, infertile blood brothers could continue their bloodline through cloning. Moreover, the “power” of the ring is connected to the “secretly making deals with blood brothers and waging little wars together – while actually being friends – by activating clone slaves worldwide to repeatedly destroy all newly incarnated real souls, as well as one another” ( VOC Vandaag: The Return of the Pirates). These “clone slaves” are the previously mentioned “demons” that are supposedly manipulated with the signet ring. So that they can be deployed worldwide in Massacres of the Innocent, slavery and the perpetuation of warfare, with the recurring objective of gaining control over the Creator—that is, the woman who creates new life through her fertility, linked to her “ebb and flow” (menstruation).  “Je Maintiendrai.”

But the Bible contains further indications pointing to the actual worship of Satan by King Solomon. For example, 1 Kings (chapter 11) mentions that Solomon was successfully enticed into worshipping Moloch, an idol from the ancient Canaanite world to whom children were sacrificed and who is often equated in practice with Satan and the idol Baal. Furthermore, the name “Solomon” is a strong indication that this third king of Israel was, in reality, also a clone, intent on achieving eternal life and thus on the Satanist theft of creative power—although there is no archaeological evidence that he ever actually existed. Although the Hebrew name “Solomon” is usually translated as “peace,” there are linguists who attribute to it the meaning “Salted Man” (“Salt Man”). This is remarkable when one considers that “salt” represents incorruptibility and, in connection with this, constitutes a significant component of the cloning process—a process intended to lead to eternal (incorruptible) life. Concretely, salt causes the DNA of a deceased person to clump together inside a cell, after which it can be easily isolated and transported into the fertilized egg cell of a real woman from which the nucleus has previously been removed. The fact that Solomon was probably a clone would explain why he worshipped Moloch; as mentioned, the king too had to turn to evil (theft of creative power) in order to live forever.

Besides “peace” and “Salt Man,” “Solomon” is also translated as Sun / Moon (Sol / Moon), in connection with, among other things, Kabbalah, in which depictions of the two great bronze pillars at the entrance to the holy Temple built by King Solomon are often accompanied by solar and lunar symbolism. This symbolism, like the aforementioned hexagram, likewise expresses the fusion of opposites, a balance between opposing forces. In other words, it is an expression of the previously mentioned “two sexes in one” of the hermaphroditic, Satanist clone cult. In concrete terms, the left pillar (called “Boaz”) represents the moon and thus feminine, intuitive, and receptive energy, while the right pillar (called “Jachin”) represents the sun and thus active, powerful, and masculine energy. (In some interpretations of the pillars, Jachin is instead portrayed as the “moon” and “feminine,” and vice versa, as in the image below.)

The Satanist nature of the two pillars is often further expressed in depictions through the presence of a lion between them, serving as the guardian and protector of the balance. A lion whose origin is found in Genesis 49 of the Old Testament, where Jacob calls his son Judah a “lion cub,” thereby prophetically blessing him with strength and leadership while also sealing the future of the tribe of “Judah,” which would ultimately descend from his son; Judah would become the strongest and most dominant tribe of Israel, with a royal lineage that would continue through generations (“The scepter shall not depart from Judah” — Genesis 49:10). King Solomon—as well as Jesus Christ (in reality a clone of Yesükhei, the father of the warlord and former ruler of the Mongol Empire, Genghis Khan)—also belongs to this tribe. Within this context, “the lion” (“The Lion of Judah”) is therefore associated not only with strength, leadership, and kingship, but also with the prolonged (read: eternal) preservation of power. In other words: with securing eternal power and eternal life for infertile (that is, Boaz and Jachin in one) clones who, for that purpose, will have to pursue, for all eternity, their prey as lions—their prey being real women endowed with creative power, from whom they derive their life energy—one of the many manifestations of Satanism.

And that is precisely what the Dutch royal family conveys through its metaphorical lion, as depicted on its coat of arms, combined with its motto “Je Maintiendrai” (“I shall maintain”). For anyone wondering exactly what the royal family intends to maintain, all they need to do is linguistically dissect its motto:

In this context, “ebb and flow” is linked to women’s menstruation, their fertility, their creative power. And it is precisely this over which the Dutch royal family, which consists exclusively of clones of the dead, seeks complete control. “I maintain / determine what happens to your creative power.” On the one hand, by systematically depriving real women of their creative power; on the other, by exploiting that creative power for their own continued existence. The royal family is following in the footsteps of King Solomon, who sealed the continuation of the infertile clone cult through the symbolic signet ring / the hexagram.

There are more references to the Seal of Solomon (and thus also indirectly to the expression “It’s sealed”) within the linguistic landscape. One example is the seal – the marine mammal – which is anatomically comparable in certain respects to one-hole and hermaphroditic clones and is therefore elevated as a mammalian species on the Illuminati stage. Although seals do, in terms of sexual characteristics and reproduction, actually share many similarities with real humans—a male seal, for example, has a “normal” penis with which it fertilizes a female seal through the vagina—there is one important difference that supposedly makes the glorification of this animal species by the Khazar mafia plausible. Put simply, the difference is that in seals, unlike in real humans, the sex cannot be directly observed, because both the penis and the vagina are concealed within skin folds at rest, protecting them against cold and friction in the water. Only during mating do both become exposed. It perhaps requires little further explanation to understand that, because of their concealed genitalia, seals appear to embody a fusion of the masculine and feminine (although this is not actually the case) and thus serve as a popular symbol for one-hole and hermaphroditic clones. Seals bear the greatest resemblance to hermaphroditic clones, who—in contrast to one-hole clones—generally do possess distinguishable genitalia; genitalia that, like those of seals, are often not immediately visible. Consider, for example, a penis located inside a vagina that becomes externally visible when stimulated.

Whereas seals symbolize the anatomy of clones within the Satanist cult, their skin (“sealskin”) represents the amnion, or the uterine lining, of real (young) women, through which the cloning process has been facilitated for centuries. The repeatedly mentioned creative power that has been stolen on a massive scale, just as seals are killed for their skin (fur), which is used to make clothing and accessories.

The special position of the seal is reflected, among other things, in the history of Jachtslot Mookerheide, a striking country house on the Mookerheide estate near Nijmegen, which was built around 1902 in the Art Nouveau style on the orders of its former owner, Jan Jacob Luden. He came from an extremely wealthy Amsterdam family of merchants and bankers (the Luden family) and had such a strong obsession with animals that he even kept seals in the stables, for which wagons of seawater were regularly brought in. Since 1985, the estate has been owned by Natuurmonumenten, while the Jachtslot has for several years served as a restaurant, event venue, and tour location.

But the company Sealskin (formerly Van Loon–Sealskin) also places the seal—and thus the Seal of Solomon—on a pedestal; through its company name and original services. The company, founded by Gerrit van Loon in Waalwijk in 1754, initially traded in leather and shoemaking materials, with sealskin regarded as a luxury commodity (after all, the creative power that sealskin represents is priceless). Today, the company—which is part of the Coram Group—is a manufacturer of sanitary products and bathroom design, with customers throughout Europe. Nicolaas Antonie Splinter, Trudi Verstegen’s former father-in-law, is its former owner. He is also a former chairman of the board of Rabobank.

The origins of the company “Sealskin” once again illustrate how the centuries-old Satanist “Golden Fleece system” rests on a network of wealthy families, making the same surnames repeatedly resurface throughout history. The surname “Van Loon,” for example, is not only associated with the Van Loon–Sealskin company, which also traded in sealskin, but also appears in the history of the Dutch insurance system, in which Wilhelmus Timmermans (Waalwijk, May 28, 1810 – Waalwijk, May 18, 1874), the husband of Pieternella van Loon, is known as a pioneer of life and burial insurance in Noord-Brabant. Through which he left an important mark on the life and burial insurance industry in the Netherlands—an industry that, together with the banking sector, embodies the powerful core of the parasitic, Satanist evil to which humanity has been subjected for centuries.

Going further back in time, we find “Van Loon” even among the founders of the VOC in 1602 (Willem Jansz van Loon (‘s-Hertogenbosch, 1537 – Amsterdam, July 16, 1618), the Dutch trading company that was controlled by the Khazar mafia and, among other things, laid the foundations for the modern (corrupt) banking and insurance system worldwide. Later generations of Van Loons also served as directors of the VOC, including Pieter van Loon. The Van Loons associated with the VOC therefore belonged to a well-known Amsterdam regent family that was deeply intertwined with trade and government in the 17th and 18th centuries.

Special mention for Mr. N. van Loon, a leather manufacturer from Waalwijk at the beginning of the 20th century, who according to official sources was not directly related to Gerrit van Loon, the Waalwijk-based founder of Sealskin (but is that really the case?). Around 1915, N. van Loon had the imposing Villa Sonnevanck built in Waalwijk to serve as his family residence. The Van Loon family subsequently occupied the house for approximately a century, after which it was designated a national heritage monument in 2002 and, since 2004, came into the hands of new residents. The current owners are none other than Ed Splinter—Trudi Verstegen’s former husband (a fellow clone of Ludwig II, King of Bavaria, and son of the aforementioned former Sealskin owner Nicolaas Antonie Splinter)—and his partner.

The question is whether Mr. Splinter—who apparently showed an interest in the villa years before purchasing it—was more fascinated by the architecture of the magnificent building or by its symbolic value. The latter is expressed, among other things, in one of the façade stones of the “sun villa,” on which the Latin words “Hunc Posuit” are engraved, literally translated as “this one (Hunc) has placed (Posuit)”—an abbreviated version of “Hunc Lapidem Posuit” (“He placed the stone”), referring to the symbolic “first stone laid” (“cornerstone”) of a new building. At first glance, there seems to be nothing remarkable “under the sun,” until one realizes that such façade inscriptions were very common within Freemasonry from the 17th through the 19th centuries and carried profound, multifaceted spiritual and symbolic meaning. The “laying of the first stone” symbolizes, among other things, the establishment of a new foundation reflecting a Freemason’s dedication to Freemasonry and its associated moral and spiritual values. Within Freemasonry, “the first stone” also marks the official beginning of moral and spiritual development—from the “rough, imperfect stone” to the “perfect, smooth stone”—as well as the fundamental role of the “Master Builder” (the abstract “creator” of the universe, with the universe conceived as a perfect building and Freemasons as “fellow builders” through the cultivation of their own character) and the initiation of an Entered Apprentice (the first degree within Freemasonry). In Christianity, Jesus Christ is described as the “fundamental cornerstone of the faith and the church” (Ephesians 2:20 and 1 Peter 2:26).

Based on the “sealing” of Villa Sonnevanck by Freemasonry (through the Latin inscription “Hunc Posuit”), the naming of the property can readily be explained. After all, Freemasons are portrayed as true “sun worshippers,” with the “sun” regarded as the masculine counterpart to the complementary feminine “moon,” not coincidentally comparable to the distinction between the pillars Boaz (sun) and Jachin (moon) at the entrance to King Solomon’s Temple. The emphasis on the “sun” in Villa Sonnevanck reveals the superior position of “men” within Freemasonry and, by extension, the superior position of men in the Zionist, Satanist clone theater, of which Freemasonry forms a prominent part. No wonder that women remain vastly underrepresented in Freemasonry and that, following the establishment of the first official Masonic lodge in London in 1717, women were not admitted to the “brotherhood” at all for several decades; women exist solely for creative power and seduction, according to Satan’s/Saturn’s cloned followers, who secretly operate in the service of “the Synagogue of Satan,” or the (Jewish) Vatican.

On the side: in the global clone theater, the “sun” and “moon” are frequently employed as prominent symbols representing the male and female sexes respectively, or a fusion of the two (hermaphroditism). Consider, for example, the famous Prague Astronomical Clock, dating from 1410 and located at the Old Town Hall in the city center, on which the “golden sun” moves across the astronomical dial—a dial on which a “moon” is depicted. Hardly surprising when one considers that, from 1526 onward, Prague became an important center within the Habsburg Empire (which included, among other territories, Austria, Hungary, and the Netherlands), and from the late 16th century onward developed into a prominent center of science and the arts, attracting scholars, artists, and alchemists from throughout Europe. In practice, “alchemy” often turns out to be a code word for the “creation of artificial life,” or “hermaphroditic clones.” The sun and moon in one. (Once again, it is supposedly no coincidence that shortly after the construction of the astronomical clock in Prague, the Dutch Golden Fleece (clone) cult was established, for which the tulip industry served as a cover.)

But there are more astronomical clocks in Europe (including those in Strasbourg, France, and Bern, Switzerland) that bear a certain resemblance to the astronomical clock in Prague, partly because of their solar and lunar symbolism. The “clock” (like the hourglass) is therefore also a frequently used metaphor for “time,” which supposedly has no significance for clones of the dead. After all, they have all the time in the world. This is illustrated particularly clearly by the marble tombstone of the 18th-century Italian knight Francesco Bartolomeo Tomasi in the St. John’s Co-Cathedral in Valletta, Malta. It features an image of a skeleton “breaking” a clock in two, accompanied by the Latin words “Mors ultra non dominabitur,” meaning roughly: “Death shall ultimately not prevail”.

All in all, it must surely have been the architecture of Villa Sonnevanck that had captured Mr. Splinter’s attention for so long. After all, “Van Loon’s house is otherwise perfectly ordinary!”

And back again to the Seal of Solomon, which, besides being reflected in the seal, also finds expression in the word seagull. This is because seagulls, even more so than seals, display anatomical similarities to the high-ranking one-hole clones to whom King Solomon also belongs. Like one-hole clones, seagulls have “down there” a single opening that serves multiple functions: the so-called “cloaca,” which is found in virtually all birds. Through this opening, waste products are expelled—including urine, feces, and excess salt—while it simultaneously serves as a passage for sperm and eggs. Whereas one-hole clones, however, are infertile and dependent on the laboratory for cloned offspring, seagulls and other birds reproduce through the “cloacal kiss” (also think: “sealed with a kiss”), whereby the male seagull transfers sperm to the female by rubbing his cloaca against hers. This ultimately results in one to three eggs being laid, depending on the species of gull and the availability of food.

Derived from the seagull (“seagull”) is, among other things, the character Sméagol from The Lord of the Rings and The Hobbit, who is initially portrayed as a peaceful, Hobbit-like creature but, after finding the notorious and powerful Ring, gradually transforms into the evil, obsessive, and greedy “Gollum.” Although Sméagol (as well as Gollum) seemingly bears no resemblance to a seagull in appearance, there are nevertheless similarities in other respects. For instance, seagulls are known for their shrill, rasping calls, comparable to the gurgling and shrieking sounds that Sméagol/Gollum repeatedly produces. In addition, seagulls obsessively pursue food, just as Sméagol’s entire existence, in his guise as Gollum, revolves around his obsession with the Ring. A Ring that, unsurprisingly, symbolizes Solomon’s signet ring, as it represents an object of immense power and corruption through which total domination of Middle-earth can be achieved. King Solomon’s signet ring likewise serves, in part, as a symbol of total world domination through evil and corruption. As mentioned earlier, the criminal theft of creative power by the Khazar mafia is necessary for their continued existence—and for their New World Order.

Incidentally, the greedy, power-hungry “creep” Sméagol/Gollum brings to mind the greedy, secretive Rumpelstiltskin from the fairy tale of the same name by the Brothers Grimm. In the story, the small, cunning creature helps a young miller’s daughter spin thread into gold for the king in exchange for “more and more.” Whereas the creature is initially satisfied with “only” her jewelry, it later demands—even after the miller’s daughter has married the king and is expecting a child—her firstborn royal child. In most versions of the fairy tale, however, the new queen manages to escape this fate by discovering Rumpelstiltskin’s identity (name), causing him to lose his power.

By now, the true identity of the admittedly fictional Rumpelstiltskin is clearer than ever. The character represents the so-called “Rosicrucians”: the Christian clones who belong to the sacred 14th bloodline of Jesus and operate worldwide as influential clone slaves in the service of and for the protection of the Jewish Khazar mafia (the slave drivers), until their task—the theft of creative power and the extinction of the white race and, ultimately, almost the entire human race—is accomplished, at which point they, like the majority of humanity, will have to make way. They are the “white clone slaves” who were deliberately created “white” (“The Rise of the Aryan Blue Bloods”) to infiltrate “the West through the East” by combining DNA from the foreskin of the Jewish Jesus Christ (or his descendants), preserved in Antwerp, with creative power (the uterine lining) from a white European woman. In other words—and here it comes—the Rosicrucians were brought into existence in part through the “Rumpelstiltskin” / “Rumpelstilzchen” / “wrinkled little stick” of Jesus (who, as previously mentioned, turns out to be a clone of Yesükhei Khan, the father of the warlord and founder of the Mongol Empire, Genghis Khan). No wonder, then, that Jewish “circumcision”—whereby boys are deprived of their DNA-containing foreskin on the eighth day after birth—is a fixed ritual within Judaism.

In terms of rose cultivation, a Rosicrucian can symbolically be described as a “twig” / (Rumpel)“stiltskin” from a rose bush (containing DNA from the “wrinkled” foreskin of Jesus) that was grafted (“artificially attached”) onto the rose cross (i.e. the swelling) of an ancient Jewish stem, because without that grafting (in reality: without the “cloning process”), it would be incapable of coming to life due to infertility. The “Jewish stem” within this context refers to the sacred 14th bloodline, which can be continued solely through cloning; only through cloning (through “grafting”) can it make its “Tree of Life” grow new branches and “pass the baton” to new alchemical life. In rose cultivation as well, twigs from a (beautiful) rose are often grafted onto the rose stock of an “old stem” in order to promote the “life” of the rose being cultivated. More specifically, this involves grafting a twig or bud (scion) onto the already rooted rootstock of another type of rose bush—a variety whose roots are more resistant to disease and poor soil and which thereby enhances the growing power and resilience of the rose being cultivated.

That the Rosicrucians were “cultivated” by the Khazar mafia (“The Pilgrims Society”) for the purpose of infiltration, followed by the theft of creative power and the extermination of the white European race, is also reflected in the way the same mafia—from America, although supposedly originally from the Black Sea region— almost completely ruined Europe’s vineyards in the 19th century through the deliberate “infiltration” of the grape phylloxera, Phylloxera vastatrix, against which most grape varieties were unable to defend themselves. The affected European varieties were subsequently “saved” by being grafted—and continue to be grafted to this day—onto rootstocks of resistant American (“Jewish”) grape varieties.

More precisely, it was the alchemically created Rosicrucians who orchestrated the “phylloxera crisis” on behalf of their slave drivers. As part of the Zionist mission to destroy everything authentically European (“European food,” “European mothers,” “European family strength,” “European soil” / “Mother Earth”), so that ultimately the Jewish Khazar mafia—in the example mentioned above, the Jewish “Americans” / “Ameri-Khans”—could gain a foothold in Europe.

Returning to the fairy tale “Rumpelstiltskin,” there are further indirect references to the “Rosicrucians” to be discovered—besides the “(wrinkled) little stem” / “Rumpelstilzchen,” which is connected on the one hand to “the foreskin of Jesus” and on the other to “grafting a rose onto an old (Jewish) stem.” For instance, it is no coincidence that “Repelsteeltje” (the Dutch name for Rumpelstiltskin) sounds like “Rape-elsteeltje,” making it all the clearer that the fairy tale is in fact about the “rape” (rape / destruction) of Europe and, related to this, the “rape” / “violation” / “exploitation” of the white European woman (the miller’s daughter) by the deceitful Rosicrucian (“Rape-elsteeltje,” a.k.a. “Sméagol” / “Gollum”), who seeks to obtain the fertilized egg cells required for cloning through rape (via the “stem” / “penis”), acting on behalf of his Khazar slave drivers; the “stolen creative power” is represented in the story by the spun gold (Golden Fleece / uterine lining). The fact that Rumpelstiltskin helps the miller’s daughter spin thread into gold can also be interpreted as an attempt by the cunning creature to win the king’s favor, ultimately enabling it—as a true Rosicrucian—to infiltrate European royal houses. So that, among other things, complete (Jewish) control can be exercised over the creative power of real women (“Je Maintiendrai”)—something Rumpelstiltskin already attempts in the fairy tale by claiming the firstborn child of the miller’s daughter (now the queen) and the king, as well as through the aforementioned theft of (fertilized) egg cells. Furthermore, the “steel” in the Dutch Repel-steel-tje (“steel” = “stem” in English”) can be connected to the “stick up your ass” (also think: “stock market”); the anal sodomy to which clones (and thus Rosicrucians as well) are subjected under government protocol. A Satanist ritual in which clones are convinced that they are one with their deceased original, so that they will continue to live on in the parasitic spirit of their predecessor. Finally, the ending of the fairy tale is telling. In it, the queen breaks Rumpelstiltskin’s “curse” by discovering his identity (name), after which the creature, stamping its feet in anger, splits in two. Two in one. Corresponding to the hermaphroditic clone slaves, to whom the Rosicrucians also belong, who embody two sexes in one. (Ergo: “discovering and spreading the truth” is the best weapon for exposing and eliminating evil.)

Afterword

By now, it should be clear how the expression “It’s sealed” derives from religion—in particular from the “Seal of Solomon”—and, by extension, from a clone cult (the Khazar mafia) that, due to its own infertility, built an entirely Satanist system (the Matrix) to facilitate and legitimize, among other things, the theft of creative power from real women as well as the elimination of nearly the entire human race. In addition, it has been illustrated how other words and phenomena are connected to the seal and the Satanist cult.

It should be noted that the text above contains only a few of countless examples of the Satanist origins of language. For, unfortunately, language constitutes a framework that Satanists have completely molded to their own purposes over the course of the past centuries. Once again: spelling = casting spells . One of the many ways in which the self-proclaimed godlike elite keeps the population under its thumb and programs it. Yet, naturally, the interference of Satanists in “language” is relatively harmless when one considers the horrors that actually lie behind their “religion.” The religion of arrogant, Satanist Zionist clones who have kept humanity in a stranglehold for centuries and are now intent on delivering the final blow.

But the good news is this: their time is over. Their “Seal” has been broken. Not in the form of an evil “spirit out of the bottle” that can never again be brought under control, but rather in the form of an end to 700 years of Golden Fleece terror, during which, ultimately, everything real, human, and good had to suffer.

So, Mr. E. Splinter of Villa Sonnevanck, could you switch on the real sun for us in advance? As a symbolic final act of manipulation—this time entirely with our consent. So that the outside world, too, may come into alignment with the loss of a cult to which you also belong.

Although for a mother’s heart, the sun is ultimately truly reflected in the happiness of her children, her own creations. And that happiness is inextricably bound up with the transcendent, loving, and powerful bond that can be forged between a mother and her wondrous creations.

Give Trudi Verstegen her children back. And regard that as a global claim. Because this exceptional mother—who can at most be accused of having given everything for justice and for doing what is right—has been damaged enough. Just as the bond between her and her children has suffered enough under the most extreme forms of terror,  fueled in part by her former in-laws and carried out in collusion with the Ra Boat Bank and the insurance industry. Let her children know how things really stand. And, last but not least, let them know that their mother loves them more than anything and acted solely in their interests. Unlike the immense army of criminal clone clowns that was unleashed upon her and that completely disregarded their interests when it deliberately separated them from their mother and sought—and continues to seek—to destroy her by every conceivable means (in ten years, she should have been dead at least a thousand times over). All on behalf of the fortunate “new” owner of the “sunniest villa of all,” Ed Splinter, who in turn completely overlooks the fact that “there ain’t no sunshine when she’s gone.” Not for his children, nor for the world, which loses some of its radiance with every loss of a powerful, genuine woman—a real mother who offers warmth, love, and security. What is “life” worth when the “source of all life” (the creative woman) is forced to make way for a cold surrogate version of that source, rooted in… death?

It is time for the Flying Dutchman ship of the VOC to set the right course and for its crew members to come clean . In fact, the ship will have to set the right course. Toward a safe harbor with genuine creative power—one that generates freedom and eliminates all injustice, war, and child abuse for the sake of the future of the white race and, ultimately, the entire human race. A safe harbor with Mama’s vs Mafia as the truly genuine schoolteachers, and all the children of the world in their classroom. A promise hereby sealed.

And also realize that the outcome of Trudi’s story is decisive for the outcome of our story as a whole. Because if, within a system, it is impossible for an exceptionally devoted, loving, and highly capable mother to be with her children and care for them, what prospects does that same system offer the rest of us?

It’s about time that what is real is given every opportunity to exist. To flourish. To serve humanity with love.

Hence why the REAL man related to Michiel de Ruyter—the one who was born as a real man, as a True Man, through a real mother and in love—is being hindered in his very BEING, in his existence,  in his potential. Purely because of his authenticity. Because he has a mother who is human. Mart Truman Edison Splinter. The real son of Trudi Verstegen and Ed Splinter. A real human being. Genetically connected to Michiel de Ruyter through his father, Ed, who, in his previous life as King Ludwig II of Bavaria, already had a brother who was a clone of Michiel de Ruyter: Otto of Bavaria.

And with that, Mart Truman Edison Splinter—and Trudi’s children as a whole, as authentic creations—form the bridge between the world that is soon coming to an end and the new one whose contours are already becoming visible. Do not stand in their way in this crucial role. Better yet: support them in it and protect them. Support their mother in this as well. But equally, support all other genuine direct descendants of those who served the cult. And ultimately, all of them—all the true Lions and Lionesses on Mother Earth—who realize at the deepest level that life was never meant to be this way and who will never bow to tyranny.

For true Lions and Lionesses never bow. Not to a man in a pink bathrobe. But certainly not to a cowardly fake lion in an orange clown suit either.

Protect Life. While it is still here. With the “Seal”—your soul (“ziel” in Dutch)—that truly matters.

Clone Busted: Ruud de Wild (part I)

Aren’t they sweet together? The “Dutch” Turkish Tulip Olcay Gulsen and her radio “man” Ruud de Wild. 😍 And isn’t she doing wonderfully with that women-friendly little clothing brand of hers! SUPERTRASH! What self-respecting woman wouldn’t love to wrap herself in those synthetic long-lifers?

What’s that you say? Both their relationship and her clothing brand are completely passé? Split up? Bankrupt? 💔

Ah, who cares! You know what is truly passé? Those skeletons they hide in their own closet. 💀💀 Those demons in their closet. 👻👻 Talking about SUPERTRASH! Those have been lying there rotting away for at least 400 years. Passé to the max with an all-encompassing stench. Get the trash out, please! ASAP. (And don’t secretly try to make a comeback through retail chain Action, aight? Otherwise the ladies will still be subjected to the terror stench en masse.)

🔊 CLONE ALERT!

CLONE: Ruud de Wild
(The Netherlands, Hilversum, April 24, 1969)
Radio presenter, who has hosted the daily radio show “De Wild in de Middag” since 2017. Through his broadcasts, he has been involved on several occasions in the “Orange the World” campaign, an annual initiative of UN Women Netherlands (the Dutch branch of the United Nations organization for women’s rights), which raises awareness of violence against women and gender equality. His ex-girlfriend, Olcay Gulsen, is an ambassador for the campaign.

ORIGINAL – the skeleton in the closet: Gideon de Wildt 💀👻
(Amsterdam, June 26, 1624 – Amsterdam, October 22, 1665)
Captain and commander in the Amsterdam Admiralty, part of the state navy of the Dutch Republic (the Republic of the Seven United Netherlands). De Wildt commanded a warship in battles against the French, English, and pirates, protecting trade routes, including those of the VOC.

We are still searching for the “skeleton in the closet” (i.e. the original) of Olcay Gulsen (Waalwijk, July 20, 1980).

Reward for the finder: less SUPERTRASH for EVERYONE! 🥳 🥳

Okay, so in Ruud de Wild’s closet resides the remains of Gideon de Wildt 💀, captain of the 17th-century warship named “De Vrede” (“The Peace”)—the irony—who, among other things, assisted the VOC in protecting maritime trade routes. Hmm, that doesn’t exactly inspire confidence, Ruud. Especially now we know that the VOC formed the basis for the Zionist, Satanist Khazarian Mafia clone terror that we are currently experiencing worldwide in full force. The VOC was even part of that same Khazarian Mafia, which, in cooperation with the Dutch Actionists (alchemists), secured its continued existence through human cloning and thus still rules the world today. Through the theft of creative power from real women and the exploitation of every other genuine soul for the expansion and preservation of power. And all of it with the help of the corrupt banking system.

So what’s up, Ruud? What are you actually coming here to do at this time?

What’s that? The demon in your closet is holding you hostage and completely determining your destructive course? BRO! That seriously sucks.

I have to say, when you, as the “radio king,” lent yourself to promoting UN Women Netherlands’ “Orange the World” campaign—of which your ex-girlfriend is an ambassador—that certainly spoke volumes.

Because, honestly, Ruud: you don’t really believe that organization genuinely contributes to combating violence against women and girls, do you? Or to gender equality? Unless, of course, you interpret its mission through the Zionist, Satanist Golden Fleece framework in which it is secretly rooted. Then it suddenly becomes clear that the organization may indeed consider the elimination of violence against women highly desirable—but by ensuring that there are no women left against whom violence can be committed in the first place. In other words, by replacing virtually every woman with creative power with hermaphrodites and one-hole clones manufactured in laboratories. Violence against women solved. Just like gender inequality, for that matter, which is inherent to a planet populated exclusively by hermaphrodites. The genders have then been fused into one; the distinction between male and female has faded; everyone is “equal.”

So yes, real women are first in line for the chopping block, thereby automatically removing obstacles from the way. Something Un Women Netherlands (part of the United Nations) loves to contribute to as participator in the greatest genocide of all time. By destabilizing families, robbing and murdering women and girls from their creative power and by stealing, raping and traumatizing children, so that they can later be made to slaughter their fellow human beings as SOUL-DIE-ERS.

A world without violence and inequality first requires precisely that which is supposedly being fought. Nothing comes for free, of course. You understand that too, don’t you, Ruud? The organization does not bear the name “UN” Women for nothing,  referring to its mission to RID the world of women. Moreover, the organization’s “female” ambassadors are, in reality, anything but female.

So: thanks for your contribution, Ruud! 👌 For – as a self-proclaimed “godlike” Ra-dio man – talking humanity right over the edge of the abyss. Because “Ra” of course simply refers to the sun god (the god of the AAA-RABIs) from Egyptian mythology, who is associated with gold—that is, with the original source of energy from which all life springs.

And let it be precisely that so-called “first life-giving energy” over which the Illuminati so eagerly seeks to reign supreme, at the expense of female creative power. But “Dio” also means “god,” referring to the god of the Christian clone slaves, who are harnessed by the AAA-RABBIs merely to the depopulation cart, only to be slaughtered themselves afterward.

Never trust a “man” in a pink bathrobe. Or an orange one.  They might “Orange the World”, modeled after “the House of Orange,” a.k.a. King Willem-Alexander, who owns all the banks worldwide and finances the entire horrific genocide. And never trust a man who doesn’t clean up his closet.

INTERNATIONAL PUBLIC INDICTMENT Olsen Gulsay & Ruud de Wild plus all others involved in UN-WOMEN:

Clone Busted: Tatum Dagelet (part II)

Once upon a time there was a Turkish witch 🧙‍♀️
Who gazed into her crystal ball 👁
But then—WHOOPS!—she found she’d been deceived
Takketow Takketay Takketeed! 💔

Because all of a sudden the Turkish witch understood all to well why her former romantic relationship was doomed to fail from the outset. Why it could not last.

Well, sweet little Turkish witch… Some connections run so deep, they simply cannot be competed with. Even if they seem passé. 

Because they are meant to be.
Predestined.
Written in the stars. ✨
Sealed in a previous life.

“I will find you in the next life, love.” That’s how the clone monkey rolls.

That is what your ex-lover Ruud de Wild set out to do and stuck to when he hooked actress Tatum Dagelet and conceived a child with her. Just as he did in a previous life. Oh, The Romance! No SUPERTRASH that could ever top that.

🔊CLONE ALERT!

CLONE: Ruud de Wild
(The Netherlands, Hilversum, April 24, 1969)
Radiomaker, die sinds 2017 de dagelijkse radioshow “De Wild in de Middag” presenteert. Ex van onder andere Olcay Gulsen en Tatum Dagelet.

ORIGINAL: Gideon de Wildt 💀
(Amsterdam, June 26, 1624 – Amsterdam, October 22, 1665)
Captain in the naval fleet of the Dutch Republic, the Republic of the Seven United Netherlands, under the command of the Netherlands’ most famous admiral (and thief of creative power), Michiel de Ruyter. De Wildt personally commanded a warship in battles against the French, English, and pirates, protecting trade routes, including those of the VOC.

CLONE: Tatum Dagelet
(Amsterdam, February 25, 1975)
Dutch actress and television presenter, who has appeared in various television series, TV programmes, films, and theatrical productions. Daughter of Hans Dagelet (actor) and Elly Vermeulen. Former partner of radio presenter Ruud de Wild. Together, they have a daughter.

ORIGINAL: Maria Smit 💀
(1624 – 1676)
Wife of Gideon de Wildt (as mentioned above), with whom she had two children.

How cute! 😍 Two lovers from the past, reunited in the present. And the fact that it’s over now? Well, that’s just a reflection of the times we live in. It’ll all work out in the end. What’s meant to be will be.

Because, be honest: Tatum is quite a nicely put-together hermaphrodite, now isn’t she? Apparently with relatively little to her name. Played a few innocent little television roles; how harmful could it possibly be?

Too bad though that it’s so often the womb-less who feel like they need to share their “experiences” around “wombs” en plein public. Just as Herma-Aphrodite Dagelet, who’s allegedly been undergoing a medical process for the past two years in preparation for a major hysterectomy due to painful benign growths. Which hardly makes for a convincing “advertisement” for de-feminization. Perhaps we could ask Tatum’s half-sister, Charlie Chan (Khan) Dagelet, for an explanation. I’m sure she’s heard of the story about “The Mongolian Raiders and the Creative Power.” (On a side note: hermaphrodites are also top specialists when it comes to cervical cancer, breast cancer, and menopause.)

So, yeah… kind of a shame, Tatum. That you too ultimately just play along with the dirty little game. For the destruction of everything Divine and genuine from which the world derives its meaning. But we should’ve known. Someone who calls her daughter “Toy” out of all names, while being part of a satanic, pedophilic clone cult, is playing an extremely dangerous game.

Iemand die haar dochter uitgerekend “Toy” noemt, terwijl onderdeel van een satanistische, pedofiele klooncult, speelt een uiterst gevaarlijk spel. Talking about putting the cat among the pigeons…

However…

It’s sealed with a kiss.

The Wild life is over.

So sweet little witch, don’t worry. What was once meant to be is no longer…

True HE(R)MA! The Robber-Murderers of the Golden Fleece. ▼